![]() Her career as an advertising executive breaking the glass ceiling during the “Mad Men” era and Her education at Whitman College and Harvard Business School Her family's escape from Germany and her immigrant childhood Next, I conducted a series of interviews, guiding Barbara to excavate memories and reflect on her life, including: I was honored to coach Barbara in the early stages of writing her memoir, “My American Dream: A Journey from Fascism to Freedom.”īarbara says: “Our work together was the spark that ignited the whole project.”įirst, we met to discuss her vision for the book-and the challenges she faced. In 1940, Barbara Feigin fled Nazi Germany for America. #writing #music #taylorswift #paulmccartney #beatles #AI #copyright ♻️ Repost & follow me Keith Meatto for more. ![]() Now if you’ll excuse me, I need to go write a song.ĭM me and schedule a 15-minute discovery call. In 2020, they met in London to share songwriting secrets with Rolling Stone.īig Reputation + Big Reputation = Big Conversation.Īnd in 2024, they hung out at the Super Bowl. In 2015, the duo performed “Shake It Off” with Jimmy Fallon. Maybe artists need to change their business models.įor now, one of the joys of music-or writing or any creative act-is how different artists make different art within the same basic constraints.Īnd there’s no bad blood between Taylor and Paul McCartney. The rise of AI is making it harder for artists to protect their work. To clarify: I’m not condoning plagiarism or theft.Īrtists should be compensated fairly for their intellectual property.īut what does fair compensation look like in 2024? One person “owning” the rights to a chord progression is as absurd as one person owning specific words, or the entire alphabet. But Sheeran convinced the court that he had used common “building blocks” of pop music. In 2023, Ed Sheeran won a lawsuit defending himself against the estate of Marvin Gaye, which had alleged that his song “Thinking Out Loud” copied the iconic “Let’s Get It On.” Swift herself has used the harmony in multiple songs.īut I know you can’t copyright a chord progression. That chord progression is almost comically common. I was playing “All Too Well” (My Version) on piano. ![]() #work #spanish #español #writing #editing #education #news #podcast Radio Ambulante Estudios Want to elevate your (English) writing project?ĭM me to schedule a 15-minute editorial consultation.Įnjoy this? ♻️ Repost and follow me Keith Meatto for more. Want to step up your Spanish and expand your horizons? Recently, El Hilo launched “Bukele,” a six-episode deep dive into the populist president of El Salvador, arguably the most influential and controversial political leader in Latin America. In each episode, Silvia Vinas and Eliezer Budasoff dialogue with local journalists and experts to share stories that illuminate urgent issues. The latest episode explores the clash between Texas and the Biden administration over the migrant crisis at the southern border. A father whose son disappeared migrating to the U.S. Violence in Ecuador and its impact on students and teachersģ. If you studied Spanish in school or since, El Hilo can strengthen your skills.Įl Hilo offers total immersion in language and news from Latin America.ġ. I met with Neil and his partner, Fraser Munden, to talk about the film, blaxploitation, their experience at TIFF, and David Arquette’s obsession with their puppets.This weekly podcast is aimed at native Spanish speakers, but suitable if you can comprehend intermediate-level Spanish. ![]() Neil Rathbone: Fraser and I met in video class. We were watching a slow artistic video about old people doing water aerobics in a pool. There were slow moving shots that came close to these wrinkled bodies moving in the water. And I just went “uggh” and Fraser started dying with laughter. He was just crying with laughter and I was like, Who is this fucking kid? I guess he thought this was funny, so we started sitting together in video class.īetween your previous film, Vaseline and Pepper, and The Chaperone, you guys have managed to develop and maintain a consistent and very distinct hand-drawn style. Neil: It’s a hybrid of my drawing style and Fraser’s drawing style. ![]() It’s something that we can both do and be consistent, and you wouldn’t necessarily be able to look at it and say, “This person drew this, this person drew that.” In video class we’d pass drawings back and forth and make each other laugh. There are a bunch of different animation styles for the film, but it’s mostly hand-drawn and hand-colored drawings. Neil: You saw when we were living together the amount of time that goes into that shit. I was spending entire days drawing and doing 20 frames, and with ten frames a second, it’s only two seconds. We had absolutely no animation experience. We were like cavemen in a cave inventing a wheel when there are people driving around in Porsches. We could do that, but for some reason we were just doing it on our own. ![]()
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